Imaginary Cities | PC Bangs

<------ A city of terminals. << This city with no streets but networks of amputated limbs. << City of burnt grass and black limousines. << Go back to Basi. << Lost city of the broken draft, Cadu is a pile of turnips rotting in the moonlight, begging for a trundle. << Autumn in the city of snow-stolen leaves. << Downtown in the city of greige skylines: muskrats grope for cinnamon oranges in the shadows of a giant air-conditioning outlet. << City of sleepy subways and swift downstrokes. << City of miniature cities, laid out on lawns like picnic lunches, skyscrapers made from sweetstuffs, syringes for telecommunications towers, lights blinking away the loneliness of miniature people gazing up at the stars. << City of warm breaths and gentle men. << Sister city of the radiant golden hair. << City of incompatible systems, apocalyptic notations and superannuated evangelists. << City of riotous dance halls and movies t

Viva! Page not found. Viva! City of marshall arts. Viva! Grape soda. Viva! Song lyrics spread from mouth to mouth. Viva! Your mouth, my lips. Viva! Trouble girl. Viva! City of endless planes. Viva! The angel of hips. Viva! Snowy boots. Viva! Timpani. Viva! Pansori. Viva! Ko Un. Viva! Hiddink. Viva! Holland. Viva! Pa ra pa pa pum. Viva! Namsan. Viva! Bukhansan. Viva! Hongdae. Viva! Seventies record collections. Viva! The hiss and pop of vinyl. Viva! Dancing boys. Viva! Moriapo. Viva! Mokochukcha. Viva! Demilitarised bones. Viva! Hangul carved from snow on the rear window of a white car. Viva! Strangely addictive. Viva! Isaac. Viva! I love PC Bang. Viva! Squat toilet. Viva! Navy Seal. Viva! Captain of Pirates. Viva! JSA. Viva! Old Boy. Viva! Starcraft. Viva! Bulguksa. Viva! Sansachun. Viva! Comfortably nunchukka. Viva! Imaginary kitties. Viva! Quiny. Viva! Perpetual reconstruction. Viva! Visa run. Viva! Alien identification. Viva! Professors. Viva! Lost in translation. Viva! Zero transmi

City of organisms. City of organs. City of tissue. Organisms that change shape depending on the flow of traffic. Organs that thump and glow, in time with the jingling of beggars in the aisles. Tissue that blows in the wind and is mistaken for snow, finally alighting upon a loudspeaker. City of poisoned organisms pelting streetwalkers with shame, bludgeoned in turn by firehoses and backdrafts. City of poisoned organs that sing songs about the girl who was supposed to be here yesterday, with just the faintest taste of Christmas carols. City of poisoned tissue, readable in the grey cheeks of strangers, interpreted by the buzz lights of the underpass, irretrievably cold. City of organic organs and hipster drills, banshee wails and coo-eyed blubber, wilting on the footpaths and draped across the bridges, inviting guests to their strange womb-like corps. City of organ tissue sandblasted and bent, rent from the chaos hole of delirium and banged up on newsprint and grape soda. City of tissue o

City as weary as a tree that cries leaves. City on the edge of hopelessness, on the duckboard of despair. The pathos of a rushed existence, coupled with an addiction to shuffling. Manacled to the winter sun-dial, I tripped upon a field of transparent snow. Windows were curtained, dogs barked all night at the makkolli moon. Rubbish bins filled with mysteries and secrets. The scent of a cigarette smoked by the man in the dark overcoat walking ahead of you in the lane. The irresistible soundtrack of dance music bleating from the stacks parked out the front of discount stores. City of sock stalls. Orange tents that could be situated on a battlefield, soup kitchens for the passing crowds. Fatty fish spirals on skewers, paper cups filled with machine broth, its clouds like sheets of white mist that hit the face, drunk. Balloons kissing ceilings. Background noise on handphones, the tinny voices of disconnected souls. Sweet city, I will miss the memory of your hand in my pocket. I will miss yo

I'm very excited to say that there's an article in today's issue of English language newspaper The Korea Times that profiles my PC Bangs project here in Seoul. You can read the article online here . Big thanks to journalist (and artist) Bridget O'Brien, who definitely has a love of poetry (boy, is that a nice change!) and to photographer Kim Hyun-tae who managed to make me look cool in the pic (above). So strange to be in the newspaper - it's my first feature profile ever! Zippedy doo dah! Postscript: while this site hasn't quite been overwhelmed with hits since yesterday's article, the story has been mentioned here on the website of poet and writer Moses Iten. Yay!

Melbourne-based new media artist, lecturer and all round soju-panda Larissa Hjorth, who is also undertaking an Asialink residency in Seoul at the Sszamjie Space, held an open studio the other night, to celebrate the completion of her "Snapshots of Almost Contact" project. Please, consider ... Soju-Panda Eyes herself: actually, this shot was taken last month at the Sugar Bar in Hongdae but seeing as we ended up in exactly the same place the other night, there really is no difference ... An example of the kinds of works Larissa has been creating out of the distinctive Korean fabric pattern. Steve Jobs, look and learn ... Seoul's best-kept secret, three piece band the Whilebird Chirpings, featuring Jooyoung on keyboards, Matt on lead vocals and drums, and Bridget on lead guitar. Rumours of their imminent demise should be treated with alarm. Bridget, an artist who moonlights as a staff reporter for the Korea Times, tries to point to a picture of her phone. Unfortunately, bei

One of the highlights of my Australian Culture classes was the series of student presentations which took place at the end of the semester. In one of the final presentations, on the topic of Australian poetry (a topic that no one was really that keen to tackle), the students (including the cute koala pictured below) broke out into song, the lyrics of which I have presented below. They also gave me a cd featuring an mp3 version of the song, which I hope to upload soon. Aussie and we Korea Thank you Prater for your class Made us become Creator oh My dear Prater. Though I sometimes took a nap. At least I know Phar lap. Met I Kangaroo and oodgeroo. No more nasty Vegemite. I don't want another bite. No more ABC news tonight. Now old ANZAC wowow Thanks for comin' at hard time. From your land to end war crime. As time goes by, We say good-bye. Just one thing to remember. We had great time from September. Learning so far Australia showed us who we really are. Forever Aussie and we Kor

City of sadness engines and wet kindling. The tell-tale signs of tampered seals, broken message sticks and gravity defeated. Neon diodes for restless leaves. Coming to the end of a demolished line, and realising that you've left your instruments at the coup. Riots raining down like spent cartridges, with no way of telling who's abused, who's simply rumbling. Shadowed by a mallet, mimicking the sound of grisly gums. Lights explode, revealing the weird interstices between our sweaty hands. You're running. I'm bringing up the rear, like a goofy bear caught with his nose in honey. Sunsmiles, rapids and cantilever bridges. Did you bring the ordnance? Damn. Strapping incendiary clocks to our thighs, I wince in pain at the slightly radioactive buzz. Chills emanating from yesterday's snow piles. A dog whose fur is the colour of dirty snow disappears amongst the garbage, urinates and then jumps out at a passing electric vehicle. Misses. Smile, you're on planet Scar T

soul cracked on a mountain sheet soju warms me with glacial heat mind snared on a toothless high soju shoots me up into the sky body wrapped around a sharp pin soju heals me like rain on tin fingers burnt by a solar flare soju sooths me like bomb scares eyes dimmed by the wet eclipse soju numbs my vision & my lips heart broken by passing times soju thrills me with its rhymes

The ajumma comes to the end of her story - the slicing of a giant onion into irregular chunks - and looks up at me as if I am about to leave. The truth is, I just sat down. She tosses the white stories into a pink plastic tub and picks up a second tale. I pick at my kim chi like it's an excuse someone's about to give me, and which I do not want to hear. But the truth is, I've heard it a thousand times before, and this time the kim chi tastes just as vinegary, just as spicy as the last one. I look up at the old man cooking pork on the little grill and mistake him for someone I once saw at my grandfather's funeral - leathery, small, beaten down by time. The truth is, I have seen him before. He's the guy who tried to shake my hand in the laneway and tickled his index finger against my palm, like a small worm against my skin. He recoils from me now, anticipating my inevitable reaction, and goes on turning the small slices of meat story. The old man looks up and sees a